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The Callous Daoboys’ “I Don’t Want to See You in Heaven”: A Deep Dive into Their Most Personal and Diverse Album Yet

The Callous Daoboys’ “I Don’t Want to See You in Heaven”: A Deep Dive into Their Most Personal and Diverse Album Yet

The Callous Daoboys are back, and they're not holding anything back. Their new album, "I Don't Want to See You in Heaven," released on May 16th via MNRK Heavy, is already making waves. But what makes this album so special, and why should you care?

Described as an "opus that’s equal to the task" by Kerrang!, "I Don't Want to See You in Heaven" isn't just a collection of songs, it's an experience. The Atlanta-based sextet has created a record that's both intensely personal and wildly eclectic, solidifying their place as a force to be reckoned with in the music scene.

A Museum of Failure and Personal Growth

The album is conceptually housed within The Museum Of Failure, a futuristic repository where the music acts as preserved artifacts. Vocalist Carson Pace explains that the album explores the idea that even a failure can have lasting value if it endures. This concept, according to Everything Is Noise, frames the album as a collection of "bygone art in the Museum of Failure 300 years in the future."

But beyond the concept, "I Don't Want to See You in Heaven" is deeply personal, chronicling Pace's experiences since getting sober in 2021. As Pace himself stated, it's "every emotion I’ve felt and sobering thought I’ve thought since 2021... A scrapbook of trial and error, or better yet, a Museum of Failure.” This raw honesty is palpable throughout the album.

Track-by-Track Breakdown

Maddie Caffrey, of The Callous Daoboys, provides a track-by-track guide, offering insight into the band's creative process. "Collection Of Forgotten Dreams" is described as a heavy, chaotic track designed to reassure fans that the band hasn't lost its edge. Elsewhere, there are experimentations with nu-metal, drum and bass, and even a "Japanese city pop moment in the middle of a nasty mathcore track."

“Lemon,” one of the singles, sparked considerable debate. Caffrey notes it was either revered or cast off by fans. However, the song's placard in the fictional Museum of Failure offers context: "Here, we see perseverance as an admirable quality of the dead, but a shameful quality of the living.”

Sonic Diversity and Bold Experimentation

One of the most striking aspects of "I Don't Want to See You in Heaven" is its sonic diversity. From the mathy metal collisions of "Collection Of Forgotten Dreams" to the serene calmness of “Body Horror For Birds,” the album defies genre boundaries. As Everything Is Noise points out, the band has evolved, balancing intense riffs with emotional growth.

The album's willingness to experiment extends to incorporating unexpected elements like a flute in “Douchebag Safari”, a sax solo in “Country Song In Reverse”, and even a feature from Adam of Orthodox on “Tears on Lambo Leather.” This fearless approach to music-making is what sets The Callous Daoboys apart.

A Must-Listen for Music Lovers

"I Don't Want to See You in Heaven" is an album that demands attention. It's challenging, rewarding, and ultimately, deeply satisfying. Whether you're a longtime fan or new to The Callous Daoboys, this record is a testament to their growth, creativity, and unwavering commitment to pushing boundaries.

What are your thoughts on "I Don't Want to See You in Heaven"? Have The Callous Daoboys exceeded your expectations? Share your opinions in the comments below!

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